2-10 / 08 /  2019

La Lisière for women's choir

Voices 21C, dir. Andre de Quadros

Choralies de Vaison-la -Romaine

14 / 07 / 2019 - 16h

Halos for piano solo - First performance

Lucie Roques, piano

Festival SUPERSPECTIVES - Maison de Lorette, Lyon

4 / 06 / 2019 - 14h  

20/ 06 / 2019 - 14h

Užteka Teka for alto and accordion

Gabriella Bannura, alto / Lisa Heute, accordion

Salle Varèse, CNSMD Lyon

29 / 05 / 2019 - 20h

Mîmos for orchestra

Orchestre du CNSMD Lyon

dir. Fabrice Pierre

Salle Varèse, CNSMD Lyon

Emmanuelle Da Costa compositrice composition

Emmanuelle Da Costa is a French composer born in 1988 in Saint-Etienne (France). Exchanges, connections, interactions with other arts (in particular performing arts), and collaborations with other artists constitute the essence of Emmanuelle's music.

  She studied composition in the class of Pascale Jakubowski at Saint-Etienne Conservatory where she received her composition diploma with high distinctions. She also completed a conducting diploma in the class of Maëlle Defoin, and a Master's degree in Musicology at Jean Monnet University (Saint-Etienne, France). She is now continuing her studies in composition at the National Conservatory of Lyon with David Chappuis, Luca Antignani, and electroacoustic music with Diego Losa in CRR Massenet.


Choral singing and voice always occupy a special place in her production. She had opportunities to collaborate several times with the French Institute of Choral Art, the Maîtrise de Radio France, the Maîtrise de la Loire, the Chœur et Orchestre des Jeunes - Orchestre des Champs-Elysées, Ensemble Orchestral Contemporain (Project "Fabrique des sons"), various women's choirs (Artmilles, Mora Vocis...), and children's choirs from Saint-Etienne Conservatory.  

Emmanuelle also writes film music. She composed for the short film Olympiades by Léa Ducos (selected for the 2015 FID International film festival in Marseille, and the 2015 FIAC International Art Fair, Without Pictures or conversation? (selected for the 2016 FID International film festival in Marseille and the Wuhan Design Biennale in China), and étude numéro un by Elise Meunier (recipient of the 2017 PACA Regional Contemporary Arts Fund).







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